VU 2 is an all day CONCERT of electronic music

JULY 18, 2017  10:30AM- 7:30PM.  FREE & OPEN TO THE PUBLIC!

JIM SANTY AUDITORIUM

PARK CITY LIBRARY, 3rd Floor.  1255 Park Avenue, Park City, Utah 84060

WATCH!! VU2 LIVESTREAM:

https://www.youtube.com/user/arsenicfreemusic/live

VU 2 features historical electronic music works, curated works, premieres, and works chosen from our CALL FOR MUSIC.

JUST PUBLISHED BELOW!! OUR EXTREMELY EXCITING SCHEDULE OF MUSIC!!

Katie Porter, Curator VU 2 2017 and Co-Founder Listen/Space and the VU Symposium

SCHEDULE

10:30AM THE PAST IS PRESENT OR WORKS UTILIZING TIME         

Michele Abondano A la inequívoca memoria de mi piel (2016) Bogota, Colombia 8’28” (CALL FOR MUSIC 2017)

Quentin Tolimieri Canone all’Unisono (2017) Brooklyn, NY 23’58”’ (PREMIERE)

Milton Babbitt Ensembles for Synthesizer (1964) USA 10’44”

Andrea La Rose Historiography (2012) Prague, Czechia 2’18” (CALL FOR MUSIC 2017)

Michael Winter 4 Computer Music Studies (2016) Mexico City, Mexico 20’

Vanessa Rossetto Whole Stories (2014) New York, NY 19’24”

Karlheinz Stockhausen Étude (1951) Germany 3’

Theodore Teichman O Haupt Voll (2016) Pittsburgh, PA 3’ (CALL FOR MUSIC 2017)

12PM  MORE THE PAST IS PRESENT OR WORKS UTILIZING PAST VOICES & MUSIC

Alexander Waterman Double AA Side DEXTER SINISTER (2008), New York, NY, 16’44”

Laurie Spiegel Appalachian Grove 1 (1974), USA, 5’20”

Brian Harnetty Could I Tell You A Little Story About That? (2015), Columbus, OH, 9’

Daniel Corral For Chuck Berry (2017), Los Angeles, CA, 12’48” (CALL FOR MUSIC 2017)

Charles Dodge He Destroyed Her Image (1974) USA 2’

Jeremy Woodruff Gongburgh (Steeltown Forests) Iron City Gamelan (2012) Berlin, Germany, 8’39”

Bernard Parmegiani En Phase/Hors Phase (1977), France, 2’32”

1PM CRITICAL MUSIC AND PURE SOUND

Doug Barrett What is the sound of one flag burning? (2017) Brooklyn, NY 9’23”

Karlheinz Stockhausen Studie 1 (1953) Germany, 10’

Jean Claude Risset Mutations (1969) France, 4’

Cat Hope/ Stuart James Feather (2015) Perth, Australia, 9’

Pauline Oliveros Bye Bye Butterfly, (1965) USA, 8’

Ashkan Fakhr Tabatabaie Metamorphosis (2017) Iran/Salt Lake City, Utah, 5’35” (PREMIERE)

Nomi Epstein Slow (2016) Chicago, IL, 18’

2PM  OPEN

Elsa Justel Tapage Nocturne (2016) Argentina/France, 8’ (CALL FOR MUSIC 2017)

Brian Belet/ Stephen Ruppenthal A Strange Diversion (2017) San Francisco, CA 10’15” (CALL FOR MUSIC 2017)

Dan Joseph Periodicity Piece #6 (2005) Brooklyn, NY 10’07” (CALL FOR MUSIC 2017)

Michael Gogins Three Trees (year) Bovina Center, NY 10’22” (CALL FOR MUSIC 2017)

Darija Andovska LIQUID-CRYSTAL (2015) Skopje, Macedonia 8’ (CALL FOR MUSIC 2017)

Bob Bellerue Music of Liberation (side B) (2016) Brooklyn, NY 10’15” (PREMIERE)

Paula Matthusen within the social history of saltpeter (2017) Middleton, CN 5’13”

3PM  BLUE OR THE SOUND OF BLUE OR BLUE SKIES

Carlotta Ferrari La Vie en Bleu (2014) Firenze, Italy 7’01” (CALL FOR MUSIC 2017)

Julius Bucsis Blue (2011) Muncie, Indiana 3’04” (CALL FOR MUSIC 2017)

Linda Marcel Garden of Paradise (2017) Glen Rock, NJ 5’59” (CALL FOR MUSIC 2017)

Eric Glick Rieman Carapace of Blue Uintah (2016) Berkeley, CA 5’21” (CALL FOR MUSIC 2017)

Marc Sabat Swing in Sweetest Summer (2013) Berlin, Germany 12’17” (CALL FOR MUSIC 2017)

Devin Maxwell BlueSnoBlues 2 (2017) Park City, Utah 3’ (PREMIERE)

Lucio Capece Some Move Upward Uncertainly (for Harley Gaber) Berlin, Germany 5’38”

4PM  NEW MUSIC FOR JIM SANTY AUDITORIUM

Ben Richter Cryptobiosis (Uncanny Sines) (2016) Berlin, Germany 12’12” (PREMIERE- CALL FOR MUSIC 2017)

Bonnie Jones The Great Train Robbery, Part II (2017) Baltimore, MD 6’ (PREMIERE)

Ron Coulter Mashville Nbira (2017) Casper, WY, 7’32” (PREMIERE- CALL FOR MUSIC 2017)

Byron Westbrook Intervals (2016) Brooklyn, NY 28’29”

Matt Smiley To Jory & Rosie (2017) Denver, CO 9’48” (PREMIERE- CALL FOR MUSIC 2017)

Bryan Eubanks Object (1st permanent version) (2017) Berlin, Germany 19’57” (PREMIERE)

5PM MORE THE PAST IS PRESENT

James Tenney Collage #1 (Blue Suede) (1961) USA, 2’24”

Daphne Oram Snow (1963) UK, 7’46”

Nicholas Cline Homage to La Monte Young (2011) Chicago, IL, 6’36” (CALL FOR MUSIC 2017)

Larry Polansky Psaltery (for Lou Harrison) (1979) USA, 16’41”

Christina Karpodini Soundscape Kitchen (2017) Greece/ UK, 5’46” (CALL FOR MUSIC 2017)

Robert Fleisher Loretto Alfresco (1970) Dekalb, IL, 1’08” (CALL FOR MUSIC 2017)

Sarah Hennies Knees (2012) Ithaca, NY, 20’

6PM MORE CRITICAL MUSIC AND PURE SOUND

Herbert Eimert and Robert Beyer Klangstudie II (1952) Germany, 4’20”

Karel Goeyaerts Komposition No. 5 (1953) Belgium, 2’40”

Antonio D’Amato Construction 1 (2016) Salerno, Italy, 7’05” (CALL FOR MUSIC 2017)

Tony Conrad/ Agnus MacLise/ John Cale Trance #2 (1979) USA, 5’12”

Anne Lanzilotti Casalmaggiore (2016) Honolulu, Hawaiʻi, 6’28” (CALL FOR MUSIC 2017)

Joji Yuasa Projection Esemplastic for White Noise (1964) Japan, 7’55”

Otto Leunning /Vladimir Ussachevsky Incantation for Tape (1952) USA 2’

Dean Rosenthal Ear Trainer (1996), Martha’s Vineyard, MA 11’ (CALL FOR MUSIC 2017)

Tao Li After, Drop (2016) China/USA, 4’27” (CALL FOR MUSIC 2017)

Jason Bolte Swish-Swoosh (2014) Bozeman, MT 6’32” (CALL FOR MUSIC 2017)

7PM PURE SOUND TO THE END

Daria Semegen Electronic Composition No. 1 (1971), Stonybrook, NY 5’46”

Maggi Payne Black Ice (2014) Berkeley, CA 10’

Johanna Beyer Music of the Spheres (1938/realized 1970) USA 6’

Clarence Barlow Approximating Pi (2007) Santa Barbara, CA, 8’

Vladimir Ussachevsky Metamorphosis (1957) USA 5’23”